
November 24, 2009
September 20, 2009
August 05, 2009
June 17, 2009
May 27, 2009
April 30, 2009
March 30, 2009
February 11, 2009
December 31, 2008
November 26, 2008
October 25, 2008
September 06, 2008
July 31, 2008
June 23, 2008
May 27, 2008
March 29, 2008
January 30, 2008
January 15, 2008
December 10, 2007
November 04, 2007
August 31, 2007
July 16, 2007
June 12, 2007
April 26, 2007
March 30, 2007
February 22, 2007
January 11, 2007
December 25, 2006
November 30, 2006
October 20, 2006
September 20, 2006
July 31, 2006
June 16, 2006
May 30, 2006
April 28, 2006
March 21, 2006
March 06, 2006
January 31, 2006
December 12, 2005
November 09, 2005
October 03, 2005
August 15, 2005
July 03, 2005
May 22, 2005
April 22, 2005
March 30, 2005
February 28, 2005
January 28, 2005
November 25, 2004
October 24, 2004
September 23, 2004
August 21, 2004
July 21, 2004
June 18, 2004
May 23, 2004
April 17, 2004
March 25, 2004
March 02, 2004
January 31, 2004
December 23, 2003
November 22, 2003
October 18, 2003
September 11, 2003
August 16, 2003
July 07, 2003
June 09, 2003
May 01, 2003
March 08, 2003
February 03, 2003
December 12, 2002
December 01, 2002
November 08, 2002
October 07, 2002
September 10, 2002
August 15, 2002
July 12, 2002
June 19, 2002
May 30, 2002
May 02, 2002
April 05, 2002
March 17, 2002
February 17, 2002
January 25, 2002
January 04, 2002
December 11, 2001
November 28, 2001
November 14, 2001
November 05, 2001
October 15, 2001
October 01, 2001
September 13, 2001
September 05, 2001
August 28, 2001
July 31, 2001
July 12, 2001
June 30, 2001
June 12, 2001
May 10, 2001
April 18, 2001
April 09, 2001
March 30, 2001
March 11, 2001
February 18, 2001
January 31, 2001
January 09, 2001
December 17, 2000
November 22, 2000
October 16, 2000
October 02, 2000
August 31, 2000
August 23, 2000
August 01, 2000
July 16, 2000
June 22, 2000
May 31, 2000
May 01, 2000
April 27, 2000
March 23, 2000
February 29, 2000
February 07, 2000
January 30, 2000
January 17, 2000
December 30, 1999 |
The 50 CENT PHENOMENON; RAPS CLIMATE OF ANIMOSITY and THE PIMPING OF BLACK DEATH IN AMERIKKKA
March 08, 2003 Sitting here in the Pittsburgh Airport, going thru post 911 security
checks I can’t help but wonder how INTERDOPE RECORDS prez JIMMY
IODINE sleeps at night. With the latest 50 CENT “GET RICH OR DIE
TRYING” phenomenon sweeping the nation, again I’m amazed at the
selling power of black death and the masters who pimp it. There’s a
lot of blood in IODINE’S bank just as BRYAN TURNIP, formerly of
CALIFORNIA RAISIN, launched gangsta turned PRIORITIZE RECORDS wayyy
back in the 90s, courtesy of the west coast. I actually dug 50 CENTS’
original take on ‘fake gangstas’ and the idea of bringing some cats
down to the reality of the harshness of the ‘real streets’ instead of
studio imagery. As I dug NWA’s early rebellious take on how a brother
couldn’t get ahead in society. But in the case of the swirl around 50
I can’t even say its entirely his fault, that his take on the road to
rap is along the BIGGIE “Born to die” steez.
It’s the usual suspects that cash in at the end, that resonate the
statement of the amazing profit of black death. There are glaring
facts about this contribution to this millennium cointelpro of the
rap game. From DJ SCOTT LAROCK to JAMMASTER JAY and everyone KILLED
in between there hasn’t been a murderer found yet. Number two, in the
case of TUPAC selling 5 million records while living and at least 30
million in his death. The case of the white exec hiring and doing
business with the negro so he can create, recreate, cultivate,
endorse then sell niggers doin ‘niggativity’ has never been more
apparent. These execs would never do business with a ‘black man’,
whereas a black man would draw a line on what would be said about his
people. A man would tell another man that he couldn’t compromise a
people for the sake of some false god named ‘profit’ and his son
named ‘bottom line’. The charge to the top of suspicious chart is
paralleled at the same time by R KELLY who again has found love from
peeps. The picture drawn here is that anything can be said and done
against black people, and the damage that appears to be self
inflicted is none the less assisted by cats lurking in the shadows.
The blood banks are spilling over at this time as it’s the easy way
out to cover the fact that 50 has already been shot at point blank
range, so that’s the story that INTERDOPE’S marketing team sharply
rolls and promotes their head to. Now everywhere he goes it’s covered
the fact that he sleeps in a bulletproof vest and there are ample
heapings of bodyguards in surround sound.
It brings to question... what makes a cat hate another brother who
looks and talks just like him whereas they never even met? Radio,
hype and video talk to all folks on behalf of the perceived and
conceived opinion of black people, masterminded by the thought
of ‘the streets’. Problem is that this NY-LA pimp biz mentality
didn’t ask ALL the streets, they’re telling and programming them. At
the tail end of those same streets are the businesses of jail and
death. They could care less about the streets in betwixt. The one
sided control of sepia images the past 10 years has the masses Pavlov-
trained into actually thinking there’s little wrong with being
abused, like the wife who gets repeatedly beat down by the man she
still loves more with every ass whipping. The slave who proudly
places his master’s last name on his first after being whipped to say
it, while not being able to spell it. Trained to love the level and
status of nigger granted by his master’s ideology while daring all to
challenge that love. Whereas the first 12 years of recorded rap
reflected the love of hip hop, the artists rhymed love, spread love
like BOB MARLEY and thus got love from the peeps. Rap was a passport
to visit other hoods representing love in the words thus reconnecting
the thought of ‘FAM’ aka family. Now the family for rappers is the
corporate pimped pseudo-record companies they spit for. Many no
longer rhyme for the people they cointelpro against the folk. The
radio stations and Viacom help pour the verbal sewage of self hate
back at us, thus endorsing little option for 50 CENT to take. The
fact is not whether his guns are bigger than little BOW WOW, but the
fact of it can be pointed directly at someone in his family. I don¹t
want that cat to be a bigger target than he claims to be. Lets hope
that 50 has a long career and a greatest hits record while he’s
living, rhyming about ‘birthdays instead of death daze’, and his
black self doesn’t add more red and green to JIMMY IODINE’s notorious
skull and bones INTERDOPE blood bank.
A real black man in this record biz would tell his staff and artists
no when it comes to drawing a line regarding the same hood that they
come from. The sellout hidden punks in this business shouldn’t have
been allowed to enter in the first place. Now the rap game at that
level means diminishing returns. It’s an opportunity for smart cats
to get in the game now. Whenever you stoop to the lowest common
denominator for the sake of just money, you’re bound to run into
probs. Again you really can’t measure a people’s soul in a bottle.
Our culture has to be weighed by the quality as well as the quantity,
as well as the cost on getting there. I believe ALPO sells 2 million
cans of dog food a month, you don’t see the owner wearing a platinum
dog food chain around his neck do you? And if you ain’t got a dog…
what the hell do the numbers mean to you?
People, we’re in an economic recession on the edge of a war and
possible depression. But I swear there are more people flocking to
the movies than ever. Just peeped DAREDEVIL and the script had to be
written by an 8th grader.
Called BUSTA RHYMES after some cats had shot up VIOLATOR MGMT offices
and pumped 8 bullets into his unattended truck. He assured me he was
cool and was being leery of all around him. When good cats like BUS
get caught in the mix you know it’s time to clean up. The truth is
that real thugs are serving lengthy sentences, and those roaming the
streets obviously don’t know what’s in store for them the rest of
this decade. Jails are bigger businesses than ever, morphing into the
new slavery and sweatshop systems. Convicted thugs will be making US
products in house at a penitentiary near you.
Well again I say I dig JAY Z’s ability, but as a 30 plus man
sometimes I’m baffled by him. The fact of having the half white MID
SOUTH COLISEUM in MEMPHIS crowd yell ‘my nigga’ nationally on
SHOWTIME a few miles from where DR MARTIN LUTHER KING was killed in
1968 while comparing himself to him can be confusing, but again read
what I just wrote and judge for yourself. The cat is much smarter
than that.
EMpTy V was at it again sending out false alarms to rappers across
the nation to participate in a battle to see who would be the MTV MC.
A disaster waiting to happen as it was designed in some boardroom up
there. I ran into peeps that used their own money to fly in, sleeping
on the streets etc. This amerikkkan idle sh*t has to stop
fooling ‘the masses into them asses’. People take this seriously so
it must be done right. It reminded me of the MOTOWN Talent search a
few years back by ANDRE HORRAY where thousands of peeps actually
thought they had a chance to be a star. In these times everyone wants
to get ‘put on’, but with increasingly less information about this
hustle people have little idea what they’re actually getting put on
to. I request that this shady biz, as well as comprehension to other
media and communication gets thoroughly taught and offered to 12th
graders, but in the words of LENNON maybe I’m a dreamer.
FLAV, HANK SHOCKLEE, DOCTOR ANDRE BROWN DRE and myself were at the
APOLLO uptown. PE received an award for revolutionary innovation, and
that night I was also surprised to run into the legend himself, DJ
EDDIE CHEBA. I was mind blown. This cat was an early influence for
many, definitely myself. He came to see me speak. Damn. He was the
one that sparked the whole thought of a rap record existing in the
first place, promoting the thought of putting one out throughout the
summer of 1979. To me it was inconceivable as I heard him rock cuts
like GOOD TIMES by CHIC and GQ. It was the idea that was followed up
by KING TIM 3RD of THE FATBACK BAND in July 79, and SUGARHILL and
then KURTIS BLOW. In fact the MERCURY RECORDS team had been on the
quest of signing CHEBA but thought BLOW was the more marketable cat.
It was a mindblower as I heard he was in FRANCE for years and he
confirmed the rumor as we were sitting in the seats of the historic
APOLLO.
Writer TOURE has a lot of nerve calling MIKE JAX a clown on national
TV. Once again proving that the media will always draft one of us in
sellout suit mode to dis. Again I ask where do cats like this get
their qualifications to do such damage? After all this is the same
guy who was telling folks he ruined PE with his scathing ROLLING
STONES album review of MUSE. I can take it but I couldn’t stand to
see a cat that’s never made music, or win a Pulitzer, say MIKE JAX
music is wack. I peeped it, thanks to harsh reality
kickthetruth@hotmail.com for the heads up. I also didn’t dig hearing
NEW YORK jockshockstress WENDY WILLAIMS rake WHITNEY HOUSTON over the
coals. The world of sports is put in check when the journalists and
athletes get outta wack. Why would somebody even visit the fact of
getting hit by WENDY WRECK? Simple, ARISTA’s greed says WW got 2
million of her potential fans, and now she’s got to get on the air to
clear the air and promote yet another record. That’s some dumbsh*t.
I’d tell Whitney don’t even go anywhere near it, but if you took so
much of the companies upfront cash, you might have no choice. Being a
celebrity and being a great singer/musician is two different things.
When you measure “better” by capitalistic consumer quantity as
opposed to quality then your subject to deal head to head with the
bulls*it. Still I felt bad for WHIT and BOBBY... biz dragged into the
street is never good.
God sent a message to SON OF A BUSH and his agenda on PRESIDENTS DAY
by spitting a blizzard that paralyzed the northeast especially the DC
area. This cat continues his real life video game of ‘GRAND THEFT
OIL’.
At the EMI post Grammy party I ran into one of the few black ‘MEN’ in
the business BIG JOHN PLATT. He’s one of the most clearest, honest
and sincere individuals in the game. Now his innovations in
publishing have crossed over into the urban music area where we are
bound to see him shine. I also saw DIANA ROSS there and hugged my
hero ISSAC HAYES. I was happy to see the BLUE NOTE team celebrate
NORAH JONES and shook hands with DJ PREMIER and GURU of GANG STARR
who held the party down. PREMO and I are smoothing out our rough
edges like men from the 10 Crack Commandments thing. I respect him
for that.
The PE machine did the ROCK THE VOTE concert after I received my
award from gorgeous MS INDIA ARIE. Backstage she expressed dour
feelings on the GRAMMYS not broadcasting the black music live rather
preempting it. Myself and BOOTSY COLLINS assured her that she was
necessary to be present and her omitting herself from future awards
shows was not the best idea. FLAV is back, and doing a concert is
real easy with him because he’s a born performer. I’m just trying to
get him to record more.
Congratulations to another super-bad sista, Felicia ‘THE POETESS’
Morris for ten years in the radio game. I can’t say enough for her
support throughout the years, helping to make the west coast rap
scene the power it is today.
I thought diamonds were a girl’s best friend? I swear if I see
another so called producer-rapper-record exec-ballplayer -dude with a
diamond in BOTH ears, as well as a mink coat I might vomit on it. And
what’s up with these cats taking the bass out of their voice when
they talk to the public? It seems like women today carry more BALLS
than these male imposters. The undercover BS I don¹t understand,
especially if given jurisdiction over an entire music category and
peeps. The two earring thing is so cornball.
The lecture circuit was fire this February with just one regret,
missing the VANDERBILT lecture last week because of a tix mix up -
absolutely wack that it never happened. Plus the northeast blizzard
knocked out HOLLINS U and TOWSON ST but they got make up dates coming
real soon this month. However ST JOHNS, TRENTON, BOWLING GREEN, PITT,
GUILFORD, MUSEUM OF CHICAGO, RADFORD, HOWARD and the CALIFORNIA
University of PENNSYLVANIA were enjoyable within the shadow of the
impending war talk.
I can’t understand how a big fighting dude like JOHN RUIZ actually
thought he could outbox ROY JONES JR?
My highlight was Feb 7th at RADIO CITY in NYC where the FINE ARTS
MILITIA and myself participated in an incredible concert that will be
a film later this year headed by MARTIN SCORSECE. It was a common.
The photo shoot was stellar RUTH BROWN, BB KING, THE NEVILLES and THE
METERS, DR JOHN, ODETTA, MAVIS STAPLES, the great SOLOMON BURKE,
LIGHTNING HOPKINS, BUDDY GUY, AEROSMITH, BONNIE RAITT as well as new
cats KEB MO, ANGIE STONE, INDIA ARIE, MOS DEF, JON SPENCER BLUES
EXPLOSION and many others. My expansion ideas involve placing rap
music and hip hop alongside the borders of other genres. I think it’s
an important niche vehicle for a slew of new artists to explore. In
FINE ARTS MILITIA we hope to do that. Also ran into HERBIE HANCOCK
who visited the PE locker room after the ROCK THE VOTE gig where we
were also visited by BOOTSY COLLINS, who also came on stage when we
performed COSMIC SLOP. YUP, IT WAS THE BOMB AND expect more collabos
with legends. Right now we’re talking to MAVIS STAPLES about
recording something for the official opening of the STAX Museum in
MEMPHIS on MAY 1st, as well as doing something with SOLOMON BURKE
very soon. At the radio city concert FAM did a rendition of JOHN LEE
HOOKER’S ‘BOOM BOOM’ that we turned into an anti war rant called ‘NO
BOOM BOOMS’.
Again BOB LAW is putting the heat on, as well as myself, rolling with
the theme of DEAD PREZ’ ‘TURN OFF THE RADIO’. Why, because
increasingly the airwaves are a joke in their censoring positive
images. There is a lot of momentum here and many people wonder who is
in control of what. It reminds me of the fairy tale, the PIED PIPER,
whereas all the kids were hypnotized to follow. This 2003 we’re gonna
set it off.
Oh yeah, with rappers seemingly running out of things to say and
ballplayers mindlessly counting their stats while money comes out of
nowhere, a young caucasian woman basketball player/student who
chooses not to be a robot and protests against the current hypocrisy
in the US flag. She also chooses to eloquently hold her ground and
state her case. My question is what are the reasons that black
athletes and entertainers continue to salute the flag without
figuring how they fit into the grand scheme? I would just like to
know the reasons, so I can be clear on how this latest propaganda
parallels the harmful influences of the past....
Mistachuck@rapstation.com
|